Browsing by Subject "eschatology"

This thesis examines the use of alchemical imagery in selected love poems and religious verse by John Donne. Donne’s alchemical imagery has been argued to represent a blend of eschatology and alchemy, and the mystical imagery can be interpreted as a psychological representation of what Jung calls the “projection of the process of individuation”. The intersection of mystical alchemy, eschatology, and psychological integration materializes as a rich literary concoction in the following poems: “A Litanye”, “Resurrection. Imperfect”, “A Nocturnall vpon St Lucies Day”, “An Elegie vpon the death of the Ladie Marckham”, and “The Extasie”. Through close reading, this thesis employs a combination of textual criticism and Jung’s psychoanalytic treatment of alchemy. This thesis demonstrates the purpose of alchemy in Donne’s poetry to clarify, first, “why alchemy?”, and second, “what makes alchemy a potent tool for the poet?”. The alchemical influence in Donne’s poetry has been broadly recognized by literary critics, but an integrated Jungian analysis provides a more substantial and psychologically informed understanding of Donne’s poetic conceits and images. In this thesis, I present textual and historical readings within the context of the Jungian theory of individuation. The purpose of using Jung’s psychoanalytic concepts is to deepen our critical understanding of the spiritual and physical experiences of Donne as psychologically descriptive and significant. This thesis shows that Donne’s use of alchemical imagery illustrates his psycho-spiritual processes and self-formation in textual form. Close reading and the integration of Jungian alchemical theories help bring these processes to the surface, making what is concealed manifest in Donne’s words. While staying rooted in Christian doctrine, Donne utilizes alchemy as a tool for textual mappings of the internal motion of his soul. By appropriating alchemy as a poetic tool, Donne also participates in a diachronic thread of alchemical thinking from the wake of Hermeticism to 20th-century psychoanalysis and modern-day embodied schemata in cognitive science. The chosen imagery serves as a culturally appropriate vehicle for making sense of abstract subject matter during the golden age of alchemical developments. Furthermore, Donne’s verse shows that for the poet no union and wholeness can be achieved without love as the proverbial alchemist, and neither can he experience redemptive transmutation without God as the “Arch-Chymist”. By turning to psychoanalysis and Jungian concepts, this thesis shows that the process of individuation, and mystical union – coniunctio – is lodged in his verse. The unification of conscious and unconscious mind is textually illustrated in Donne’s reflections on the nature of love and spirituality. Indeed, the selected poems carry a distinct consciousness that seeks moral-intellectual refinement and purification to emulate the divine and to endure the transmutation process to become unified with the divine. Finally, the connection between love and alchemical transmutation lies in the union Donne seeks on spiritual and physical levels.