Browsing by Subject "mysticism"

This thesis examines the use of alchemical imagery in selected love poems and religious verse by John Donne. Donne’s alchemical imagery has been argued to represent a blend of eschatology and alchemy, and the mystical imagery can be interpreted as a psychological representation of what Jung calls the “projection of the process of individuation”. The intersection of mystical alchemy, eschatology, and psychological integration materializes as a rich literary concoction in the following poems: “A Litanye”, “Resurrection. Imperfect”, “A Nocturnall vpon St Lucies Day”, “An Elegie vpon the death of the Ladie Marckham”, and “The Extasie”. Through close reading, this thesis employs a combination of textual criticism and Jung’s psychoanalytic treatment of alchemy. This thesis demonstrates the purpose of alchemy in Donne’s poetry to clarify, first, “why alchemy?”, and second, “what makes alchemy a potent tool for the poet?”. The alchemical influence in Donne’s poetry has been broadly recognized by literary critics, but an integrated Jungian analysis provides a more substantial and psychologically informed understanding of Donne’s poetic conceits and images. In this thesis, I present textual and historical readings within the context of the Jungian theory of individuation. The purpose of using Jung’s psychoanalytic concepts is to deepen our critical understanding of the spiritual and physical experiences of Donne as psychologically descriptive and significant. This thesis shows that Donne’s use of alchemical imagery illustrates his psycho-spiritual processes and self-formation in textual form. Close reading and the integration of Jungian alchemical theories help bring these processes to the surface, making what is concealed manifest in Donne’s words. While staying rooted in Christian doctrine, Donne utilizes alchemy as a tool for textual mappings of the internal motion of his soul. By appropriating alchemy as a poetic tool, Donne also participates in a diachronic thread of alchemical thinking from the wake of Hermeticism to 20th-century psychoanalysis and modern-day embodied schemata in cognitive science. The chosen imagery serves as a culturally appropriate vehicle for making sense of abstract subject matter during the golden age of alchemical developments. Furthermore, Donne’s verse shows that for the poet no union and wholeness can be achieved without love as the proverbial alchemist, and neither can he experience redemptive transmutation without God as the “Arch-Chymist”. By turning to psychoanalysis and Jungian concepts, this thesis shows that the process of individuation, and mystical union – coniunctio – is lodged in his verse. The unification of conscious and unconscious mind is textually illustrated in Donne’s reflections on the nature of love and spirituality. Indeed, the selected poems carry a distinct consciousness that seeks moral-intellectual refinement and purification to emulate the divine and to endure the transmutation process to become unified with the divine. Finally, the connection between love and alchemical transmutation lies in the union Donne seeks on spiritual and physical levels.

This study focuses on the exegesis of Gregory of Nyssa, a 4th century exegete, a Church Father, and one of the three Cappadocian Fathers. The main primary source of my thesis is Gregory’s treatise The Life of Moses, an intriguing example of Patristic exegesis based on the Exodus narrative. The main purpose of Gregory’s treatise is not to make a historical presentation of the journey of Moses and the Israelites, but to elevate the reader into a higher state of consciousness in order to perceive the spiritual meaning of the narrative. The kind of exegesis that Gregory applies is often defined as allegorical interpretation or allegorical exegesis, rich on symbols and enigmas, which was at first neglected in scholarly discussion. Fortunately, there has been a growing interest in Biblical interpretation of the Church Fathers since the mid-20th century. The main objective of my thesis is to focus on Gregory’s interpretations of topographical imagery presented in the Exodus narrative. Gregory gives symbolical interpretations to topographical locations: the city, the river, the sea, the desert and the mountain. My intention is to show that Gregory was not thinking of the various symbolical interpretations as independent units but he was seeking for a logical coherent sequence. One of the main objectives of modern research has been the reassessment of Gregory’s sources. In order to understand Gregory’s exegetical and philosophical concepts and terminology, one must be aware of the rich and profound tradition already established in classical antiquity. Gregory makes moral, ascetical, philosophical and mystical interpretations in relation to each topographical detail. These figurative interpretations are by no means based on his original ideas but are rooted in the rich tradition of Greek classical culture, as well as in the exegetical tradition of his Jewish and Christian predecessors. My purpose is to provide a systematic analysis of each term Gregory is applying and present an overall model of Gregory’s exegetical method. The final aim of my thesis is to present an analysis of Gregory’s pattern of topographical symbols as a whole. Gregory connects the topographical details with his threefold pattern of illumination, purification and participation in a fascinating way. For Gregory, the exodus narrative is a journey of a soul being liberated from the bondage of passions, temptations and materialism towards an ever-increasing awareness of God’s presence.