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Browsing by Subject "ryijy"

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  • Vilkman, Beisa (2018)
    The purpose of the study was to illustrate how the folk ryijy tradition and the ryijy models emerge as inspiration while designing a new one. For the design task theories of the craft design process and inspiration, as well as the history of the Finnish ryijy-rug were studied. The research assignment was to study the appearance and inspirations in the folk ryijy design process. The study illustrates researcher´s personal creative process of brainstorming and sketching, which leads to visual plan for the modern folk ryijy. The research method of qualitative research was autoethnography. The data consisted of researcher´s recorded notes and design drafts, that were produced during five days of designing the ryijy. After the notes were transcribed, essential data for the study was selected. The data was analyzed by writing and subdividing by content, which helped to integrate the essentials, inspirations in the design process, and the process of the reflective study. The study result was a unique design process, where the researcher's personal process and theory merge. The first visions and the design task defined the diverse process. While designing various fixations appeared, and the turning point was to trust your own visual expression. The material context and immaterial meanings reflected in the final draft of the folk ryijy, interpreting a modern version. The findings as a distinctive process indicates, how the textile tradition and ryijy models can be used as a source of inspiration and embody a new design.
  • Essel, Ama (2017)
    The aim of this qualitative research was to study rya technique’s use in clothes between the 1960s and 2017. Rya is a Nordic craft technique that is traditionally seen as a wall hanging or a rug; but in fact, it was originally used as an utility article rather than a decorative textile. It was only later that it was recognized as a valued art textile. The Vikings for instance replaced their furcapes with rya because of its practical value but now it is used in clothing more for its aesthetic qualities. Studies so far have focussed exclusively on rya’s most well-known use as a decorative article therefore leaving a vacuum in the literature. The current study fills that gap by taking a different perspective on rya as a technique that adds another level to clothes. The current study was undertaken using content analysis based on 25 visual data on clothing items that used the rya technique. This secondary data was collected from a few books, but mostly from the internet using sites like Google, Pinterest and Instagram. The analysis was done by grouping the data into themes that emerged through the researcher’s observation. The themes were rya’s location, composition, patterning, design and colour as well as pile’s density, length, yarn’s spiral grain and the item’s date. Rya technique was used in a variety of clothe types but mostly in jackets. As a decorative technique, it was mostly placed on the whole garment rather than just as a detail. Usually, it was multi-coloured, adding a multi-dimensional effect to the clothing article. Natural and abstract shapes were more common than geometrical and performative shapes. The most unusual clothing article with rya technique was a bodysuit which demonstrated rya’s versatility and creative application to any kind of clothing if desired. The findings of this study indicate that rya has tremendous possibilities as a design technique for adding unique texture to clothes due to its three-dimensional characteristics. With this technique, it is possible to design interesting details to clothes that would rather appear somewhat plain, for example to a minimalistic shirt’s sleeves. Although more studies need to be done in order to establish rya technique’s use in clothes, the findings of this study is important as it adds another dimension to the literature and points the way to further research on the topic.
  • Jeskanen, Anu-Mirjami (2018)
    The oldest written sources of ryijy-rugs in Finland are from the 15th century. Ryijy-rugs were used as bedcovers and as covers in a sleigh. At first ryijy-rugs were mostly used by crown but later on became a common cover among the commonality. Change from bedcover to tapestry happened not until hundreds of years later. In the beginning of 20th century researchers became interested of ryijy-rugs in a historical point of view. This study was inspired by four ryijy-rugs found from the attic of an old farmhouse in the spring of 2018. The aim of this study is to answer the questions why these ryijy-rugs were made, by whom the ryijy-rugs were made and when the ryijy-rugs were made.