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Browsing by Author "Wahlberg, Ulrika"

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  • Wahlberg, Ulrika (2016)
    This study is an analysis of the dwelling of an old house and unfolding it's ontology. The interpretation is mainly built on observations as well as interviews with inhabitants. The study is a process of interpretation driven also by the impressions on the phenomena delivered by visual arts, literature and media as well as by the researcher's own interpretations and experiences. What is the ontology of the dwelling of an old house, is a question posed in this study. A phenomenological analysis is the basis of the research. The method chosen means that the analysis is built on the phenomena itself and its unfolding. The research is first and foremost interested in the experience associated with the dwelling of an old house rather than its appearance. The study possesses features of a case study, as its main research material is composed of three cases: two open group discussions and an open interview. The analysis is also influenced by observation and personal reflection. The study is transdisciplinary and conveys a natural discourse between interpretations rising from different sciences. In addition to home economics, the study of arts and aesthetics are central to this dialogue. The goal is to generate new viewpoints to home economics and to give stimulus to the other sciences involved in the dialogue. The study questions within the sciences. In this study the transdisciplinary approach strives at returning new kinds of interpretations on the phenomena of dwelling, which in turn advances and builds the theoretical foundation and vision of home economics as well as probes in to the future. The analysis of the dwelling of an old house is a process of interpretation, which crystallizes as an idea of the dwelling of an old house as a performance. The dwelling of an old house is an overall aesthetic experience that includes motion, unpredictability and interaction. The metaphor of a performance highlights the dynamism and uniqueness of the dwelling.