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Browsing by Subject "äänenkäytön opetus"

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  • Hirvenlahti, Karoliina (2013)
    The purpose of this study was to discover primary teachers' conceptions about singing and vocal control education and student assessment. The study was aimed to find out what kind of a role and status singing and vocal control education has in general and in relation to music education. In addition, the study examines what the teachers consider singing and vocal control education and what kind of teaching methods they used in their teaching. Furthermore, the study explores to the teachers' experiences with the teaching of singing and vocal control education. Finally, the study aims to map the student assessment methods teachers used and the challenges and opportunities these methods brings with them. The data were collected trough an Internet questionnaire. The study involved 31 primary school teachers from 15 different schools in Espoo, all of which had their own class. 87 % of the examinees were 30 years or older and 77 % had worked as a teacher for at least 6 years. 14 examinees did not teach music during the research and five of the examinees did not have any kind of music related hobbies. The research was a qualitative survey. The analysis was theory-driven content analysis. The study revealed, that half of the teachers would increase the amount of time spent on the teaching of singing and vocal control, and the other half would retain the present situation. In the teachers' opinions, the singing and vocal control education should begin in early childhood or primary education, at latest in the 3. Class. Only half of the teachers were able to explain how the singing and vocal control education was taken into account in their school's policy. The teachers mentioned 17 contents of singing and vocal control education, and teacher-led methods of teaching. Singing and vocal control education also appears in the native language lessons and in everyday school life. The teachers taught music because of their own enthusiasm and specialization on music education, and because of the principal's order. Half of the teachers felt that they had not received enough training to teach singing and vocal control. Methods for assessment of singing have been replaced by students' personal singing tests and observation. The student assessment is a challenge because of the large numbers of students in the groups. Teachers wish to receive a coherent student assessment criteria.