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Browsing by Subject "harrastus"

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  • Ruuska, Oona (2022)
    The aim of this study is to find out how adolescents think handicrafts as a leisure activity affects their own well-being. Adolescents’ crafting has been researched mainly from the perspective of teaching and the relationship between handicrafts and well-being has been re-searched mainly from the perspective of adults and elderly. This study aims to make visible the perspective of adolescent leisure activity on this topic. The research was conducted by interviewing six 13-14-years old adolescents and one 20-years old by using theme interviews. All the participants did their handicrafts emphasizing textile techniques ergo knitted, crocheted, or sewed. The interviews were arranged either remotely via Teams-application as individual interviews or at the adolescents’’ school as pair interviews. The material gathered was transcribed after which using thematizing and content analysis it was constructed into an analysis frame that was partly guided by previous studies. Pöllänen’s (2015b) research has especially guided this study by acting as a foundation for theoretical framework, interview frame and analysis frame. The study found out the most important benefits for well-being from doing crafts could come from feelings of achievement, the joy of learning something new, the freedom to do as one wishes and the calming effect of handicrafts. The amount of well-being handicrafts can induce could be affected by how much experience the adolescent has and how often they partake in making crafts. Those who did crafts rarely or were beginners didn’t think handicrafts were that impactful in their lives and thought of it more as a temporary activity. Those who did handicrafts a lot and thought of it as an important leisure activity were more likely to give more meaning to the aspects of making crafts and felt it was more impactful to their everyday lives.
  • Sundman, Cecilie (2020)
    The purpose of the thesis was to explore the opinions about authenticity in the attire of Living Historists that is to say, People, who have Historical Reenactment as a hobby. Living history is a popular hobby, and brings a lot of knowledge about textile, wood, and metal craft, as the attire often are home-made. Due to this, an important part of the research consisted of what craft techniques are being used, and what kind of research goes into making a “kit” for reenacting. Earlier research about re-enacting attire, in particular is rather scarce, so new perspectives were a goal at the start. The gathering of material was done by questionnaire, spread in suitable groups on Facebook during the spring of 2018. There were 182 people answering, of different ages and re-enacting background. The questionnaire consisted of both qualitative and quantitative questions, so the analysis was done with Mixed-Method, combining the data from both groups only at the last minute. Living history was found to be a multiform hobby, where authenticity has its own place. It does not, however, define the scene, but provides opportunity for personal or group-wide development within the re-enactment scene. Historical handicrafts are a large part of the hobby and could also be considered their own scene within the whole of living history.
  • Kinnunen, Liisa (1999)
    The purpose of the present work was to study knitting as a hobby: to find connections with the traditions, to sort out the present situation and anticipate possible future developments. The study attempted to shed light on the factors related to the commencement of the hobby, on the different forms of the hobby and on the significance of knitting for those who go in for it. According to the theoretical framework, knitting was studied as a hobby, as a part of the handicraft trade and as a learned skill. In addition, the significance of knitting was approached on by analysing the related values and attitudes. The collection of the data was done with a questionnaire which means that the basic methodology was quantitative. This was supplemented by the use of a qualitative approach in the interpretation of the results. The questionnaire had, in addition to multiple choice questions and statements, an open question meant for a wider inquiry on the significance of the hobby. The objective was to get as wide a picture as possible on knitting as a hobby in Finland. Helsingin Villakehräämö (Helsinki Wool-Spinning Mill) and Novita Neuleet-magazine agreed to co-operate in the study. With their assistance it was possible to reach knitters all around Finland. The questionnaire was mailed to the subscribers of the Novita Neuleet-magazine and to an equal number of assumed knitters. The size of the sample was 603 persons of whom 325 returned the questionnaire by the deadline. The return percentage was thus 54%. The analysis of the data made use of the SPSS-statistics programme with which it was possible to present frequencies and percentages on the sample as well as the necessary parameters. The differences between the groups were tested with cross-tabulations and statistical tests. The statements related to the significance and appreciation of knitting were subjected to a factor analysis so as to facilitate a possible classification of knitters into different types. The significance of knitting was also studied with content analysis and by applying essence type analysis. On the basis of the results the commencement of knitting as a hobby seemed to be closely related to the significance of the family and traditions, to needs and school experiences. 99 per cent of the respondents reported making at least one piece of knitwear a year, which means that people do a lot of knitting. The most common piece of knitwear was a sweater (82%). Statistically the subscribers of the Novita Neuleet-magazine knitted more than the control group. Useful pastime, recreation, creativity and self-expression were emphasised as factors related to the significance of knitting. Finishing a piece of knitwear was reported to give pleasure which was manifested in the joy of giving, overcoming challenges and the experiences of success. To describe knitting two groups of knitter types were formed: those for whom knitting is a way of life and those who do knitting because of a need. The members of the ‘way of life’-group always had a work in progress whereas the ‘need’-group started working when they needed a piece of knitwear or something to do with their hands. Woolen sweaters can be a thread of life because knitting was felt to bring meaningful content into the lives of the knitters. Knitting was also seen as a useful handicraft skill which the knitters wanted to retain for future generations.