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Browsing by Subject "parsiminen"

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  • Varmola, Milka (2014)
    In this study I examine how textiles were patched and darned in Finland from the 1920s to the 1960s, and how changes in everyday life affected it. Modernization, the following of fashion and the rise of ready-made clothes industry in the 1920s declined into a shortage of textiles and a demand on self-sufficiency during the war years in the 1940s. After the war clothes were bought ready from shops and their value related to people's assets was reduced. Alike, people's attitudes towards textiles and mending them changed. The data for my study consisted of articles from Kotiliesi, Omin käsin and Emäntälehti from 1924 to 1959, contemporary guidebooks from 1920 to 1966 and craft teacher students' samples and notebooks from the the 1920s to the 1940s. In addition I interviewed four women who were born between the years 1918 and 1938, three orally and one with written questionnaire. Because mending textiles has hardly been studied in previous research, I needed to gather the information from many sources. I used different qualitative data analysis and discourse analysis methods to put together pieces of the story. In the 1920s and the 1930s mending textiles was considered almost a platitude. Especially in the countryside the majority of clothes and home textiles were self-made or made to order, although in the cities ready-made clothes could already be purchased. The value of a single cloth was considerable and because of that a lot of time was spent on mending it and different instructions how to darn by hand or with a sewing machine were published in women's magazines and contemporary guidebooks. New textiles were hard to purchase during the depression caused by the Winter War and the Continuation War, therefore good care had to be taken of the textiles already found from homes. Instructions and articles focused especially on advices on how to patch socks. After the war mending of textiles was often emotionally connected to the shortage of the wartime and the amount of mending instructions given in women's magazines decreased. New type of nylon socks reduced the need to darn and patch them, but Kotiliesi still published articles on how to mend different types of clothes, though the instructions were directed to skillful light-fingered women. Publishing articles about mending in women's magazines ended in the 1950s, but the women I interviewed told that they have continued mending until present-day. At the end of my study I consider why mending is still current in the 21st century.
  • Penttinen, Terhi (2022)
    This study examined darning and patching as a modern handicraft phenomenon characterized by sustainable development and circular economy. With the current accelerated pace of production in the clothing industry, the quality of clothing has become weaker, and the amount of textile waste has increased. The aim of textile circular economy is to minimize textile waste generated by both the industry and consumers by keeping products and materials in circulation for as long as possible without reducing their value. Darning and patching are ways of mending clothes and extending their lifespan but also ways to reduce the need for new clothing and the amount of textile waste generated. Nowadays visible repairs in clothing can also be seen as a statement for so called “slow fashion” and more personal clothing. The study approached darning and patching through publications distributed on the photo sharing application Instagram, with the aim of elucidating the meanings and messages conveyed by photographs and hashtags related to darning and patching. The study was a qualitative study in which three-step connotative image analysis, one of the semiotic methods of image research, was used as the research method. The research material was photographs (N = 20) and related hashtags (N = 340) associated in darning and patching published by private individuals from public Instagram user accounts. The images in the sample displayed four different craft techniques: darning, patching, embroidery, and rug technique. The objects in the images were mostly ordinary clothes and wool socks. The analysis found sustainability and respect for clothing as the most important themes present in the images and hashtags. In addition, darning and patching appeared as part of the Finnish handicraft tradition, which helps to keep clothes and materials in use for longer. The research material also highlighted how visible mending can make repaired clothes unique and simultaneously increase the motivation for further mending. Furthermore, mending commonly appeared as a form of self-expression and hobby promoting mental well-being.