Browsing by Subject "Raamatun reseptiohistoria"

Metal music abounds with biblical reception. In this thesis I analyze how biblical themes and scriptures are utilized in Behemoth’s songs Ora Pro Nobis Lucifer, Messe Noire, and Rom 5:8. I pay special attention to how Satan’s character and related themes are approached in the songs. I analyze band’s background from multiple angles as well as the history and special characteristics of its genre. In the actual analysis I research the lyrics of each song specifically. At the synthesis I discuss what these three songs convey together in relation to the research question. In my thesis I answer the research question How are biblical themes used and the character of Satan approached in the Behemoth’s songs Ora Pro Nobis Lucifer, Messe Noire and Rom 5:8. Each of the three songs contain extremely versatile biblical reception and biblical themes are represented in an extraordinarily intellectual and professional manner, which offers a fertile ground for exegetical analysis. Satan, as well as other Christian themes are represented openly through Christian tradition in these Behemoth’s songs, and Christian tradition itself is not denied. Instead, the Bible is openly taken advantage of. It is used to present completely opposite views compared to the purpose of the texts themselves. Biblical scriptures are often used verbatim. However, in the manner that the listener unambiguously understands that they are turned upside down and pointed towards opposite direction than the original texts. There are e.g., exact quotes from Lord’s Prayer, Book of Revelation, and Gloria Patri in the songs. In addition, Apostles’ Creed has been modified to a form that is not presented to God, but to Satan instead. However, biblical texts and themes are also being utilized in a remarkably versatile manner, and the songs are full of biblical names, stories and especially modifications of those. All in all, the lyrics show that the lyricist, primarily Adam Darski, has uttermost knowledge of biblical themes and exceptional capability to use that knowledge. Satan is approached by taking advantage of Christian themes. Crucially, Satan is being an agent who replaces God. Satan is a respected target of prayers and wishes, a suffered character, who wins God at the end. Crucial observation is, as previous literature suggests that the band and its main songwriter Adam Darski represent rational satanism that is an atheistic philosophy instead of any theistic Satanic approach. Satan is a metaphor representing the core of rational satanism: individualism and freedom. Firstly, Satan is seen as an inner power instead of any theistic character. Secondly, Satan is a metaphor for human freedom of choice and aforementioned individualism. Thirdly, Satan is, according to Darski, a misunderstood figure, which most likely refers to him often being seen in a theistic manner or as a character acting under God’s authority. This idea of a misunderstood figure can be seen in the lyrics as well. Idea of Satan as a counterpart of God is being used mostly as a tool to adduce this atheistic philosophy.