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Browsing by Subject "Affect"

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  • Haavisto, Rosa (2020)
    In the past years social equality has been a hot topic in the western world. Traditional social hierarchies have been challenged by feminist policies, women’s increased societal engagement and the recognition of the rights of historically oppressed groups. However, the advancements in equality have not been embraced unanimously, as anti-feminist and racist discourses have reared its head, especially online. Central in modern anti-feminist discourse is the idea of reversed gender hierarchy: that historical female oppression never existed, and thus feminist policies supporting women and minorities are actually discriminating men. The aim of these discourses is to sustain traditional social hierarchies favouring white western men. Today’s anti-feminist mobilization consists by large of angry white men, trying to renew the respect and honour of traditional masculinity. By leaning on the theoretical frameworks of social constructionism and critical discursive psychology (CDP), this thesis examined how discourses resisting social equality manifest online. Especially of interest was how affects, as discursive action, were used to constitute understandings of equality. In this, this thesis leaned on Wetherell’s theory of affective-discursive practice (2012) and treated affects as part of the discursive realm. The data used consisted of blog posts written by a globally known public figure, Jordan Peterson, who in newspapers has been cited as the most influential public intellectual of the western world. The aim of this study was to explore what kinds of interpretative repertoires were drawn upon in Peterson’s writings when discussing social equality, and how affect and discourse worked together in positioning within these meanings. As CDP carries the idea of broader societal implications, this study also discusses how the meanings and positions constructed in Peterson’s writings relate to larger societal discussions. The analysis shows that in Peterson’s writings social equality is understood through four interpretative repertoires: threat, truth, justice and virtues. Firstly, equality is constructed as a threat to the society and the whole existence of men. This understanding positions women as emotional fools, and feminists as criminals, who by feminist policies threaten traditional western values. Secondly, equality and feminist policies are understood by the means of truth and veracity. This understanding distinguishes true and false science, and positions men as advocates of the true science, whereas women/feminist as impostors. Third understanding has the central idea that aiming for social equality by feminist policies is unjust, as they discriminate men. This understanding allows feminists to be seen as villains while men are positioned as innocent and downtrodden. Finally, the fourth repertoire emphasizes masculine virtues and works to legitimize current social hierarchies by positioning and constructing men through a hegemonic masculine ideal. Alongside these understandings, several affects are being triggered and manipulated. The most repetitive is anger, which is constantly directed towards women and feminists, who are characterized as hateful and full of resentment. In contrast, the writings evoke pride and sympathy among men, who are constituted as the wronged victims of the situation. The results of this study resonate greatly with recent studies around anti-gender movement and discourses of the manosphere. Similarities are apparent particularly in relation to how genders are constructed and understood, and how the societal situation at large is constituted as discriminating men, young and white in particular. In conclusion, Petersons writings seem to be connected to larger anti-gender movement, aiming at sustaining traditional social hierarchies and restoring the honour and respect of white masculinities.
  • Prat Jareno, Júlia (2022)
    The use of emotion is becoming increasingly relevant in the fields of international relations and political communication. While new research has been attentive to the use and dissemination of emotion, it has failed to establish emotion as an individual category of study, thus mostly neglecting its role within political discourses. This thesis argues that emotion is key to understanding why some discourses are more appealing than others, using the theories of Ernesto Laclau, Jacques Lacan and Simon Koschut as theoretical framework. By combining the qualitative methods of Emotion Discourse Analysis and Pragmatics of Emotive Communication, this thesis studies how emotion is embedded within the Manifesto “The Programme of Change”, published by Podemos at the beginning of 2015 with the objective of inspiring the political campaigns of the multiple elections that were going to take place that year. My analysis is specifically focused on two topics. First, it aims to understand how emotions were used within the Manifesto to create the antagonistic groups “the people” and “the elite”. Second, it aims to expose the new feeling rules that the party proposed to challenge the narrative of the status quo. The results of my analysis show that Podemos created an image of a corrupted, self-serving and extravagant elite, while defining the people as a group of honest, trustworthy and capable citizens. The antagonism between both groups is sustained by a sense of unfairness and humiliation of the latter towards the former and it is built through a political discourse that puts forward five new feeling rules that challenge the elite’s power. The first feeling rule appeals to unfairness, turning it into anger towards the elite. The second appeals to anxiety, stressing the need for a quick change. The third evokes frustration, converting it into strength to gain power. The fourth relies on hope to draw and image of an optimistic future. The last evokes self-awareness to create a new order where ordinary people feel recognised and represented. The findings of this thesis add value to existing literature on Podemos, while also proving that emotion needs to be considered a valid unit of analysis in discourse analytical methodologies. It defines emotion as key to uncovering patterns in international relations, and it defends its role in sustaining and challenging structures of power.